Woodbridge, Patricia 1946–
Woodbridge, Patricia 1946–
(Pat Woodbridge)
PERSONAL
Born August 9, 1946; daughter of J. Eliot (a research chemist) and Carol (an antiques dealer; maiden name, Coburn) Woodbridge. Education: Bennington College, B.A.; New York University School of the Arts, M.F.A.
Career: Art director. Instructor, design department, Tisch School of the Arts, New York University, beginning 1977.
Member: United Scenic Artists (Local 829), League of Professional Theatre Women (New York City).
CREDITS
Stage Work:
(As Pat Woodbridge) Set designer and costume designer, Fishing, Public Theatre, New York City, 1975.
Assistant to Mr. Lundell, Rockabye Hamlet, Minskoff Theatre, New York City, 1976.
The Runner Stumbles, Little Theatre, New York City, 1976–78.
Set designer, Dispatches, New York Shakespeare Festival, New York City, 1979.
Set designer, Personals, American Place Theatre, New York City, 1980.
Set designer, How I Got That Story, Chelsea Westside Theatre, New York City, 1982.
Assistant to Mr. Napier, Cats, Winter Garden Theatre, New York City, 1982–.
(As Pat Woodbridge) Set designer, Triple Feature, Stage 73, Manhattan Theatre Club, New York City, 1983.
Assistant scenic design, A Streetcar Named Desire, Ethel Barrymore Theatre, New York City, 1992.
Set designer, Who Will Carry the Word?, Judith Anderson Theatre, New York City, 1993.
Also worked on Nightclub Cantata, Village Gate Theatre, New York City; The Other Half, Acting Company, New York City; The Blood Knot, Manhattan Theatre Club, New York City; Acrobatics and Crab Quadrille, both at Interart Theatre, New York City; A Midsummer Night's Dream, New York Shakespeare Festival, New York City; The Road, Goodman Theatre, Chicago, IL; Fallen Angels, Portland Stage Company, Portland, ME; Of Mice and Men and The Contest, both Philadelphia Drama Guild, PA; Threads, Playmakers Repertory Company, Chapel Hill, NC; Ladyhouse Blues, American Stage Festival, NH; Death of a Salesman, Syracuse Stage Theatre, Syracuse, NY; How I Got That Story, Kennedy Center, Washington, DC; I'm Getting My Act Together and Taking It on the Road, Ford's Theatre, Washington, DC; Loose Ends, Cincinnati Playhouse, Cincinnati, OH; A Safe Place, Berkshire Theatre Festival, Stockbridge, CT; Nightclub Cantata, Arena Stage, Washington, DC; Crucifer of Blood, Stage West, Springfield, MA; Cavalleria Rusticana and I Pagliacci, Teatro Colon, Bogota, Columbia; Carmen and Lucia Di Lammermoor, Tri-Cities Opera; Pauvre Matelot, Philadelphia Music Academy, Philadelphia, PA.
Also provided choreography for Bilitis Esseulee, Joyce Theatre, New York City; and Paris/Chacon/Venice/Milan.
Film Work:
Art director, Cadillac Man, 1990.
Production designer, Johnny Suede, 1991.
Assistant art director, The Last of the Mohicans, 1992.
(As Pat Woodbridge) Assistant art director in New York, Sliver (also known as Sliver—Geir der Augen), 1993.
(Uncredited) Assistant art director, Carlito's Way, 1993.
Art director, My Father the Hero (also known as My father, ce heros), 1994.
Assistant art director, To Wong Foo, Thanks for Everything, Julie Newmar, 1995.
Draughtswoman, Hackers, Metro-Goldwyn-Mayer, 1995.
Set decorator, Un divan a New York (also known as A Couch in New York and Eine Couch in New York), Northern Arts Entertainment, 1996.
Assistant art director, City Hall, Columbia, 1996.
Assistant art director in New York, Conspiracy Theory, Warner Bros., 1997.
(Uncredited) Assistant art director, Meet Joe Black, Universal, 1998.
Art director, The Object of My Affection, Twentieth Century-Fox, 1998.
Art director, A Perfect Murder, Warner Bros., 1998.
Art director, Company Man, Paramount Classics, 2000.
Art director, Bait (also known as Piege), Warner Bros., 2000.
Art director in New York, Down (also known as The Shaft), 2001.
Art director, City by the Sea (also known as The Suspect), Warner Bros., 2002.
Art director, Maid in Manhattan (also known as Made in New York), Columbia, 2002.
Art director, Mona Lisa Smile, Columbia, 2003.
Production designer, Tony 'n' Tina's Wedding, 2004.
Art director, Hitch, Columbia, 2005.
Art director, Freedomland, Sony, 2006.
Art director, My Super Ex-Girlfriend, Twentieth Century-Fox, 2006.
Art director, I Am Legend, Warner Bros., 2007.
Television Work:
Set designer, The House of Ramon Iglesia (special), PBS, 1986.
Assistant art director, Let It Be Me (movie), 1998.
Art director, New York, Bad Apple (movie), TNT, 2004.
Also worked as art director on Saturday Night Live, NBC; The News Is the News, NBC; and as draftsperson, Dick Cavett Special; The Dining Room, WNET, NY; Media, Metropolitan Pittsburgh Broadcasting.
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NEARBY TERMS
Woodbridge, Patricia 1946–