“A Modest Proposal”
“A Modest Proposal”
THE LITERARY WORK
An essay written and published in 1729 in Ireland.
SYNOPSIS
Responding to the desperate state of Ireland’s poor, “A Modest Proposal” offers an absurd solution: Breed the children of the poor for profit and eat them.
Events in History at the Time of the Essay
As dean of St. Patrick’s Cathedral in Ireland, Jonathan Swift saw firsthand the devastating consequences of famine on the poorer segments of the Irish population. Conditions in Ireland reached a crisis point in 1729. Thousands of men, women, and children suffered homelessness and poverty as the result of crop failures, high unemployment, rising prices, and trade restrictions imposed by the British government. Responding to the public outcry for a remedy, Swift wrote “A Modest Proposal” as a satire—a literary work that ridicules a subject through the use of irony and wit and is intended to create amusement, contempt, or anger in the reader. The essay blasted those whom he believed to be responsible for Ireland’s state of affairs—the British government, corrupt landlords and merchants, and Absentees (those who fled the country in 1714 when George I took control of the government). He also criticized the “projectors,” people who offered often absurd and simplistic solutions to very complex problems; “A Modest Proposal” provides just such a solution as obvious satire.
Events in History at the Time of the Essay
Irish politics in the early 1700s
The Tory political party came to power in England from 1710 to 1714, employing Swift to write as a political journalist. It was a happy period in his life that ended abruptly with the death of Queen Anne and the downfall of the Tory government. The opposing political party, the Whigs, came to power with King George I, whose reign would last from 1714 to 1727. Prime Minister Robert Walpole became the dominant party and government leader under King George. A strong leader, Walpole believed firmly in the right of the British government to oversee and regulate Irish affairs.
As early as the 1500s, England had exerted power over Ireland and fought to make the country a subordinate kingdom, a colony loyal to the British monarchy. By 1700, however, the Irish, who had their own Parliament and cultural identity, felt they were an independent nation that simply shared a king in common with the English. The British government recognized the Irish Parliament as a legitimate body, but felt that the Irish House of Lords was subordinate to the British House of Lords and passed a law to that effect in 1720. Known as the Act of 1720, the measure increased a trend set by
the long-standing Poynings Law of the 1500s, which had removed the right of the Irish government to meet or pass laws without England’s approval. Together the two acts eliminated the rights of the Irish to make their own laws, mint their own currency, or exercise supreme judicial and legislative authority in their country. This enraged many Irish nationalists. These “Patriots,” as they came to be known, initiated an aggressive fight for Irish independence from Great Britain.
The rise of the Irish Protestants and patriotism
Among those Patriots calling for Irish independence was Jonathan Swift. Although he had lived much of his life in England, Swift was born and died an Irishman. Appointed dean of St. Patrick’s Cathedral in 1713, Swift was a devoted Protestant who supported the so-called Protestant Ascendancy. This was the coming to power of the Protestant landed class in the largely Catholic country of Ireland. These Irish Protestants included Patriots such as Swift who were fiercely anti-English and strongly supported the country of Ireland—the equivalent of the Church of England in Ireland. Swift spent a considerable amount of effort defending the Church of Ireland from Protestants who dissented or refused to join it, such as the Presbyterians.
Irish Patriot tradition
The Irish Patriot philosophy was espoused most prominently by Swift, William Molyneux, and Charles Lucas. Swift and Molyneux in particular called for parliamentary independence and opposed the presence of the English in Irish government. They called for implementation of a number of measures to reverse English influence, including Irish settlement on lands seized by the British; Catholic containment; cheap government and lower taxes; investment in the Irish economy; and the right of the Irish Parliament to print its own currency. Moving beyond these general wishes of the Patriots, who were largely the landed Protestants, Swift’s “A Modest Proposal” also called for help to be extended to Ireland’s poor and working-class majority.
Trade restrictions
The English economy prospered in the early 1700s, partly due to the country’s colonies and trade. Ireland, meanwhile, was in a period of decline. In the 1690s the English restricted Irish exports of wool and wool products. They then further restricted Ireland’s agricultural trade with the European continent, at the same time increasing English imports into Ireland. These decrees had a devastating effect on the Irish economy. Because it could not export many of its products, Ireland lost domestic industries, especially in agriculture. As Ireland’s economic health deteriorated, it became less self-sufficient and fell victim to high unemployment and inflation. The Irish became overly dependent on potatoes and pigs for subsistence, and when disease and drought harmed both during the 1720s, nationwide famine occurred.
The series of bad harvests continued into the late 1720s, and a devastating crop failure occurred in 1727. During this period, the English Crown tried to further devalue Irish currency by issuing “Wood’s Coins.” The coins would have made Ireland wholly dependent on England for trade because no other nation but England would accept them.
Public reaction
Irish nationalist cries for independence from the English Crown and pleas that citizens consume only domestic products echoed across the country in the 1720s. Patriots urged the masses to take matters into their own hands and rebel against the tyranny of the British monarchy. Pamphlets calling for independence circulated throughout the country, and Swift began using his literary talent as a pamphleteer for the Irish cause.
His first piece of protest literature was A Proposal for the Universal Use of Irish Manufacturers, a pamphlet that urged the Irish to buy only Irish-made products and to boycott English goods until the restrictive import/export laws were repealed. The tract, published anonymously (as were all of Swift’s writings), was banned at once by the British government. The government arrested the printer, but after nine attempts to convict him, he was finally acquitted. The Irish people had achieved their first small victory in an incident sparked by Swift’s writing.
Swift emerges as national hero
After that mild initial success, Swift began his famous M. B. Drapier letters, which implored the Irish to reject Wood’s Coins and to seek independence from England. He tried to incite his countrymen into action: “By the laws of God, of nature, of nations, and of your country, you are and ought to be as free a people as your brethren in England.... All government without consent of the governed is the very definition of slavery” (Swift in Collins, p. 185).
Incensed by the pamphlets, the English Crown offered substantial monetary rewards to anyone who would name the author. But while the identity of the pamphleteer was well known in the Irish community, no one turned Swift in. His efforts led to the withdrawal of the patent for Wood’s Coins in 1725, a victory that catapulted Swift to national hero status. He would soon attempt to deal an even more lethal blow to the English in his biting essay, “A Modest Proposal.”
Pamphleteering and “projectors.”
Political writing grew in the first two decades of the 1700s, ushering in a number of new developments in literature. Several newspapers were born, including The Tatler, The London Examiner, and The Spectator, and Swift wrote for all of them. The newspaper was first used as a political tool in this era, joining the pamphlet, which had continued to serve as a primary means by which a writer could influence public opinion. Daniel Defoe and Swift were the leading pamphleteers of their day.
Swift’s Drapier’s Letters are a fine example of pamphleteering at the time. Like most pamphlets of the era, they were published anonymously. With Drapier’s Letters, Swift chose to use the pseudonym M. B. Drapier. But the pen name did not interfere with the heavy influence the letters exerted on public attitudes. Swift wrote a variety of other pamphlets as well. Some ridiculed a quack astrologer who called himself John Partridge. Another work, A Tale of a Tub, made fun of literary and scientific showoffs as well as others in society. But while his writings were influential, Swift lamented that the pamphleteers’ advice was seldom put into practice. He complained about his own ineffectiveness:
This kingdom is grown so excessively poor... which I have been telling them [the public] in print all these years, to as little purpose as if it came from the pulpit.
(Swift in McMinn, p. 127)
Such comments indicate Swift’s growing disillusionment with the Irish people by the late 1720s and his inability to move them to action either from the pulpit or with his pen.
Age of Reason
The 1700s were part of an era called the Age of Reason, largely due to huge advances in science and technology. This “scientific revolution” fueled the belief in reason over emotion and promoted the idea that humans could achieve perfection through rational thought and scientific achievement. This concept applied not only to scientific endeavors but also to government and social institutions.
By 1729, however, Swift and others saw that the Age of Reason had not produced a more capable government or responsible society. In fact, society was stained by corruption and extreme social inequality. This was especially true in Ireland, where landlords (who were mostly English) focused primarily on making money. They did little or nothing to improve or maintain their property and became notorious for their ill treatment of poor Irish tenants. Such landlords reasoned coldly that profit was more important than people’s welfare, an attitude that allowed them—as well as merchants and government leaders—to ignore the famine and unemployment that had cast the poor into such a wretched state by 1729.
Swift’s biting pamphlets and satires emerged in response to what he considered the failure of the Age of Reason to improve society. He believed that “although reason were intended by Providence to govern our passions, yet it seems that... God hath intended our passions to prevail over reason” (Swift in Bullitt, p. 10).
Religious battles
The Church of Ireland represented less than a quarter of the population but served as the official state religion. An offshoot of the Church of England, the Irish Church was Protestant and opposed to both Catholics and Dissenting Protestants who refused to join it. Fear of a Catholic uprising (Catholics comprised 75 percent of the population) prompted the all-Protestant Irish parliament to impose severe restrictions on Catholic freeholders. All citizens, including Catholics and Dissenters, were made to swear an oath of loyalty to the Church of Ireland and pay “tithes,” or taxes, to support it. In 1729 the legislature passed a measure that forbade Catholics from voting. This law, coupled with previous restrictions, prompted many to leave Ireland (as others had been doing since 1688). The Absentees, as they were known, were Catholics and Dissenters who fled to other lands. While some went to France, another popular destination was the islands of the West Indies; by 1729, a total of 4,200 people had left Ireland for these Caribbean islands, where religious freedom and employment were possible.
A supporter of the Church of Ireland, Swift opposed Catholics and, in particular, Absentees. Reflecting the view of the majority of Protestants, he blamed Absentees and their failure to pay taxes for many of Ireland’s economic and social problems. The Church of Ireland saw emigration as an evil, as did Swift, who sought to have Absentees pay taxes to the government of Ireland while living abroad. This idea is one of many articulated in “A Modest Proposal.”
Wretched state of Ireland
In 1727 King George II assumed the throne of England, and Prime Minister Walpole gained even more power. Hopes for political and social reforms and for Irish independence were all but dashed. Just two years after George II’s accession, Ireland experienced its worst year on record. Severe restrictions on the woolen trade by the English, coupled with the impact of famine, draught, devalued currency, and the continual threat of war, had disastrous effects on Ireland. The nation’s poor were particularly brutalized during this period. As the economy declined, job competition became fierce. Violent outbreaks in the nation’s slums—often between Catholics and Protestants—were common. Population growth among the poor drastically increased, and homeless men, women, and children became a familiar sight in city streets.
TARGETING THE ABSENTEES
In addition to decreasing the tax base, the loss of citizens boded ill for those who subscribed to the idea that people are a nation’s most valuable resource. A popular economic theory at the time held that economic prosperity is proportionate to population size. Since this theory was widely believed, it generated hostility toward the Absentees. In “A Modest Proposal,” Swift parodies this concept, insisting that if people are so valuable, we should eat them!
Walpole and the Irish Parliament did virtually nothing to aid the nation’s poor. Instead, they aggravated the situation by raising taxes on goods sold in the country. Even the Church of Ireland failed to provide for the poorer classes, as it catered primarily to the landed elite. It was this sad state of affairs that prompted Swift to write “A Modest Proposal,” a bold effort to change society’s perception of Ireland’s poor and provide for their welfare.
The Essay in Focus
The contents
Under the heading “A Modest Proposal for Preventing the Children of Poor People from Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public,” Swift’s essay opens by noting that anyone who can find a remedy for Ireland’s devastating economic problems will be a national hero. He briefly describes the deplorable state of the kingdom
of Ireland in 1729 and then goes on to define a solution to the nation’s ills.
Utilizing a deadpan tone, Swift says he has thought long and hard about this issue and has “weighed the several schemes of our projectors,” finally coming up with this proposal (Swift, “A Modest Proposal,” p. 258). Before stating what his scheme is, he lists the many benefits his proposal will yield. One benefit, he says, would be that poor children will no longer be a burden to society; on the contrary they will “contribute to the feeding and partly to the clothing of many thousands” (“A Modest Proposal,” p. 258). To add weight to his argument, he lists the exact costs of raising children, calculates approximately how many poor children would be affected by his remedy (120,000), and computes the profit to be derived from his own solution. Parodying serious journalists, pamphleteers, projectors, and politicians, Swift matter-offactly points out the sound reasons for murdering the nation’s poor children and using them for food, providing facts and figures to substantiate his claim.
Swift’s proposition—that Ireland raise the children of the poor for sustenance, thereby reducing the nation’s poor and creating a profitable, domestic industry untaxed by the English—is put forward in a reasonable tone. He insists that small children make very tasty and wholesome food. He has been assured of this by an American (who is presumably from a country where savages prevail). He then lists the many benefits of his plan in detail: poor people will finally have something of value to sell; Ireland’s gross national product will increase £50,000 per year from the profit earned by the sale of 100,000 children annually; restaurateurs and vintners will profit because they will invent new gourmet dishes, wines, and ales that will sell for a high price to the upper classes; the country will no longer have to rely on pork and potatoes—food sources that are prone to disease and draught; and finally, the plan will promote marriage, reduce wife and child abuse, and induce landlords to treat their tenants better, as they will now view the poor as an asset rather than a liability.
Once he lists his manifold reasons for killing poor children, Swift states that he is making his proposal strictly for the good of Ireland. He realizes his plan may be a bit controversial but says the alternatives—increasing taxes, urging people to boycott English goods, and generally making do with less in order to help their neighbor—are far more outrageous. Swift thus cleverly lists his true proposals for elevating the suffering of the Irish people, disguising them as a list of solutions that he would never propose. He warns readers:
Let no man talk to me of other expedients:
Of taxing our absentees at five shillings a
pound:
Of using neither clothes, nor household
furniture, except what is of our own growth
and manufacture:
Of utterly rejecting the materials and
instruments that promote foreign luxury:
Of curing the expensiveness of pride, vanity,
idleness, and gaming in our women:
Of introducing a vein of parsimony,
prudence, and temperance:
Of learning to love our Country...:
Of quitting our animosities and factions...:
Of being a little cautious not to sell our
country and conscience for nothing:
Of teaching landlords to have at least one
degree of mercy toward their tenants.
Lastly, of putting a spirit of honesty, industry,
and skill into our shopkeepers....
(“A Modest Proposal,” pp. 264-65)
SWIFT’S LETHAL PEN
Before he wrote “A Modest Proposal,” Swift told his good friend Dr. John Arbuthnot of his intentions to display his frustration with the government in his writing. “I have a mind.” he said, “to be very angry, and to let my anger break out in some manner that will not please them at the end of a pen” (Swift in Bullitt, p. 4).
Swift concludes his essay by stating that he welcomes response from any politicians bold enough to reply or offer their own solutions. But as an admonition to himself as well as other projectors, he insists that no remedies should be offered unless “there will ever be some hearty and sincere attempt to put them into practice” (“A Modest Proposal,” p. 265). He further comments that those who think it cruel to kill the poor at birth should ask them whether they would not have rather been killed at age one “and thereby have avoided such a perpetual scene of misfortunes as they have since gone through” (“A Modest Proposal,” p. 266). Swift concludes “A Modest Proposal” as he begins it, insisting he is writing the tract unselfishly for the benefit of the Irish people. His proposal is not intended to bring him any personal gain.
Reviews and response
Published by Sarah Harding, whose husband, John, had printed The Drapier’s Letters, “A Modest Proposal” was well received. It was reprinted several times in both London and Dublin within months of its first edition. Swift was already a national hero because of his Drapier’s Letters, and “A Modest Proposal” added to his acclaim; though neither of the works were published under Swift’s name, the identity of the author was well known.
Despite the commercial success of the essay, Swift was deeply disturbed at the nation’s response—or lack of it. He had hoped the Irish people would take action against the British government and aid the poor. Instead, the situation worsened on all fronts. Swift became exasperated with the Irish people (and probably at society in general) and withdrew completely from politics.
Role of satire in the 1700s
In the late 1600s and early 1700s, satire became a popular literary genre. Developed about seventeen hundred years earlier by Roman writers such as Horace, Juvenal, and Persius, the style was perfected by Englishmen of Swift’s time. British satire emerged partially in response to the failure of the Age of Reason, the inability of cold science to improve life in a way that would ease mass suffering.
Swift, John Dryden, and Alexander Pope became known as the era’s most talented practitioners of satirical writing, and “A Modest Proposal” is considered the best short satire in the English language. The essay’s central idea, to solve Ireland’s hunger problem by eating poor children, turns on irony and wit, the key ingredients of satire. In Swift’s view, satire exposed the injustices of life:
Many great abuses may be visibly committed, which cannot be legally punished.... I am apt to think, it was to supply such defects as these, that satire was first introduced to the world.
(Swift in Bullitt, p. 17, 22)
Known as the golden age of satire, the 1700s produced a host of acclaimed writers who, like Swift, attempted to “laugh men out of their follies” (Swift in Bullitt, p. 7). Satire was an acceptable form of ridicule during the Age of Reason, whereas outright attacks could be deemed treasonous and punished by death. Whether out of fear of government persecution or because he felt satire was a more powerful form of persuasion, Swift used the medium to urge change and vent his anger. He himself best explained how satire served him:
Like the ever laughing Sage,
In a Jest I spend my Rage:
(Tho’ it must be understood,
I would hang them if I cou’d.)
(Swift in Bullitt, p. 8)
In other satires, such as his 1726 novel Gulliver’s Travels (also covered in Literature and Its Times), Swift views man as a sort of ridiculous creature, but one who is capable of doing good. “A Modest Proposal,” however, has been called “the darkest pamphlet he ever wrote,” and it reflected Swift’s growing cynicism toward society (McMinn, p. 129).
For More Information
Bullitt, John M. Jonathan Swift and the Anatomy of Satire. Cambridge, Mass.: Harvard University Press, 1953.
Collins, John Churton. Jonathan Swift. London: Chatto & Windus, 1893.
Foster, R. F. Modern Ireland, 1600-1972. London: Penguin, 1988.
McMinn, Joseph. Jonathan’s Travels. New York: St. Martin’s, 1994.
Swift, Jonathan. “A Modest Proposal.” In A Modest Proposal and Other Satires. Amherst, N.Y.: Prometheus, 1995.