Wu Yinxian 1900-
WU YINXIAN 1900-
PERSONAL:
Born September 28, 1900, in Su Yang, Jiangsu, China; married Wang Zifei, 1940; children: Wu Zuging (daughter). Education: Attended Fine Arts School, Shanghai, China, 1920-22.
ADDRESSES:
Home—Al. Xuang Wai Street, Beijing, People's Republic of China.
CAREER:
Photographer and cinematographer. Middle School, Su Yang, China, fine arts teacher, 1923-30; Red Lantern Studio, Shanghai, China, photographer, 1935-38; Dian Tong and Ming Xing Film Corporations, Shanghai, photographer, 1935-38; The Film Studio, Chang Chun, China, director, 1949-54; China Film College, Beijing, China, deputy director, 1955-66; Film Bureau, Ministry of Culture, Beijing, adviser, 1974-81. Cinematographer for documentary and feature-length films, including Children of Troubled Times, 1935; Street Angel, 1937; Song of the Red Flag, 1960; The Diary of Yan'an, 1961; Rickshaw Boy, 1982; and Days at Jinchaji, 1988. Exhibitions: Solo exhibits include Beijing Museum, 1961, 1985. Group exhibits include Beijing Museum; Hong Kong Exhibition Centre; Intertrade Building, Singapore, China; and International Center of Photography, New York, NY. Military service: Eighth Route Army, Yan'an, China, 1938-46, film team leader under Chou Enlai.
MEMBER:
China Photographers' Association (vice president, beginning 1964), China Cinematographers' Society (president, beginning 1985), China Federation of Literary and Art Circles, China Veteran Photographers' Society (honorary president, 1985—).
AWARDS, HONORS:
Best Film Award, Chinese Ministry of Culture, 1965; Humanity Photo Award nominee, 1998.
WRITINGS:
Techniques of Expression in Photography, two volumes, [Beijing, China], 1963–65.
Portrait Photography, [Beijing, China], 1982.
Composition for Photography, [Beijing, China], 1984.
Wu Yinxian's Photo Album (two volumes), [Beijing, China], 1983–85.
Scenery Photography, [Beijing, China], 1985.
Light Selection for Photography, [Beijing, China], 1986.
SIDELIGHTS:
Photographer, cinematographer, and filmmaker Wu Yinxian commented in Contemporary Photographers: "I produce my works of art according to socialist principles; they are intended to serve the people and socialist construction." One of China's leading photographers during that country's Cultural Revolution of the mid-twentieth century, Wu's work remained unknown by many in the West due to the political and cultural barriers erected under Chinese leader Mao Tse-Tung's government. Innovative in his approach to his craft, Wu also commented: "I think we should not copy foreign photography, but should learn from it to develop a national style. Nor should we imitate Chinese painting, but should work within the specific characteristics of photography itself."
BIOGRAPHICAL AND CRITICAL SOURCES:
BOOKS
Contemporary Photographers, 3rd edition St. James Press (Detroit, MI), 1996.
PERIODICALS
Chinese Photography, September, 2000.
ONLINE
Yamagata International Documentary Film Festival '97 Web site,http://www.city.yamagata.yamagata.jp/ (February 24, 2004), "Anti-Japan War of China."*