MCEVILLEY, Thomas

MCEVILLEY, Thomas. American, b. 1939. Genres: Novels, Art/Art history. Career: Rice University, Houston, TX, associate professor, 1970-; School of the Art Institute of Chicago, visiting professor 1985-86, Yale University, School of Art, 1991-92, and Graduate Center CUNY, 1995. Publications: Pat Steir: The Breughel Series, A Vanitas of Style, 1985; Ulay and Marina Abramovic: Modus Vivendi, 1985; Les Levine: Billboard Projects: BLAME GOD, 1985; Focus on the Image: Selections from the Rivendell Collection, 1986; Janis Kounellis, 1986; Julian Schnabel, 1986, rev. ed., 1987; Lucas Samaras: Objects and Subjects 1969-1986, 1988; (with U. and M. Abramovic) The Lovers, 1989; (with E. Orr and J.L. Byars) Zero Mass, 1989; William Anastasi, 1989; Georg Baselitz: Sculpture "Forty-Five," 1990; Art and Discontent: Theory at the Millennium, 1991; Dennis Oppenheim: And the Mind Grew Fingers, 1991; Art and Otherness: Crisis of Cultural Identity, 1992; The Exile's Return: Redefining Painting for the Post- Modern Age, 1993; Fusion: West African Artists at the Venice Biennale, 1993; Yves Klein: Conquistador of the Void, 1993; (with A. Baraka) Thornton Dial: The Tiger Paintings, 1993; Ulay, The First Act, 1994; Leon Golub, 1994; Pat Steir: The Water Paintings, 1995; (with R. Denson) Capacity: History, the World and the Self in Contemporary Art and Criticism, 1996; Sculpture in the Age of Doubt, 1999; The Shape of Ancient Thought: Comparative Studies in Greek and Indian Philosophies, 2002; The Triumph of Anti-Art, 2003. NOVELS: Partygoing, 1964; Wakerobin, 1965; North of Yesterday, 1987; The Arimaspea, 1993. Address: Box 20725, Tompkins Sq Station, New York, NY 10009, U.S.A. Online address: mcevilley@mindspring.com