syn·co·pate / ˈsingkəˌpāt/ • v. [tr.] 1. [usu. as adj.] (syncopated) displace the beats or accents in (music or a rhythm) so that strong beats become weak and vice versa: syncopated dance music.2. shorten (a word) by dropping sounds or letters in the middle, as in symbology for symbolology, or Gloster for Gloucester.DERIVATIVES: syn·co·pa·tion / ˌsingkəˈpāshən/ n.syn·co·pa·tor / -ˌpātər/ n.

syncopation. Device used by composers in order to vary position of the stress on notes so as to avoid regular rhythm. Syncopation is achieved by accenting a weak instead of a strong beat, by putting rests on strong beats, by holding on over strong beats, and by introducing a sudden change of time-signature. First used at time of ars nova, and exploited to fullest capabilities by jazz musicians, often in improvisation. Stravinsky, Bartók, etc. also employ syncopation with dramatic effect.

syncopation (gram.) contraction of a word by elision of one or more syllables XVI; (mus.) beginning a note on a normally unaccented part of the bar and continuing it into the normally accented part XVI. — medL. syncopātiō, -ōn-, f. late L. syncopāre, f. syncopē; see next, -ATION.